Midnight Mover: Accept ’79-’96 is my 240-page book going through ever Accept album of the Udo Dirkschneider era one per chapter along with a pretty good trawl through the Mark Tornillo era. Gotta love Wolf and the boys.


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Seven Decades of Deep Purple is my crushingly heavy 640-page book charting the complete Deep Purple story, right up to the Simon McBride album, =1. It’s the product of an impressive upgrading of my previously self-published books from eons ago, and rendered hardcover and full-colour throughout, including a few hundred pictures and a pile more of my personal interview footage.


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Taken by Force: Sixty Years of Scorpions is the updated, expanded and newly appointed version of my Scorpions book from 2016. There are new interviews, new obscure outside citations, and it’s been brought up to date with a celebration of the most recent album, Rock Believer.


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Walking in the Shadow of the Blues: The Whitesnake Story is the updated, expanded and newly appointed version of my long out-of-print Whitesnake book from 2015. People have been asking for this one to come back for ages, and here it is, featuring all manner of new bits and pieces.


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Van Halen: A Visual Biography is my full-colour, large format book offering a detailed and scholarly timeline of Van Halen’s career along with hundreds of picture from before the first album right up to the very end.


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The Unholy Scriptures: The Complete Unofficial Chronicle of Ronnie James Dio’s Solo Canon is my heavy, power-packed complete story of the Dio band, combining two previously self-published and out-of-print books and updating the tale as well. It’s full colour throughout, hardcover, stuffed to the covers with many pictures and even more words.


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A Dangerous Meeting: In the Shadows with Mercyful Fate is my updated, expanded and somewhat rewritten update on the celebrated earlier version of this book, available in four languages besides English. It’s my song-by-song, album-per-chapter book looking at the exemplary catalogue of King Diamond’s devilish original band, from Melissa and Don’t Break the Oath in the ‘80s to a vastly under-rated run of top-shelf reunion records in the ‘90s. The King Diamond catalogue gets a more informal look-in along the way, but yeah, most of this is about the hard, spooky work that went into one of the classiest metal catalogues of all time.


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A Million Vacations: The Max Webster Story is my updated, expanded, somewhat rewritten and newly copy-edited update on the celebrated and long out-of-print earlier version of this book. It’s my most satisfying write ever (at least for the straight biographies) because it’s about a band I’ve been known to call my favourite Canadian act of all time. It’s over 100,000 words of Canuck obscurity, but it also include Philip Kamin and Scott Feeney photos of this Canadian treasure.


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Hallowed by Their Name: The Unofficial Iron Maiden Bible is my mammoth 666-page book charting the complete Iron Maiden story. It’s the product of an impressive upgrading of my previously self-published Iron Maiden trilogy, and rendered hardcover and full colour throughout.


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Sabotage! Black Sabbath in the Seventies is my all-encompassing 286-page treatise on the first eight Black Sabbath records and its makers. Every song is analyzed, we discuss touring, production, album covers, the whole range from the teenage years in Aston to the Never Say Die tour. Two eight-page colour sections ice the cake.


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Born Again! Black Sabbath in the Eighties and Nineties is my exhaustive 282-page analysis of—and side dramas between—every Sabbath album from Heaven and Hell to Reunion. Included are two four-page colour sections. This is the follow-up to Sabotage! Black Sabbath in the Seventies. Lots of Ronnie, lots of the two Tonys, and a little bit of Ian, Glenn and Ozzy.


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Dominance and Submission: The Blue Öyster Cult Canon is my super-intensive wise panel examination of every BÖC album, weighing in at 306 pages of detailed fretting over everything to do with the band’s 14 albums. There’s also an eight-page colour section plus myriad other pictures of collectibles.


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Lights Out: Surviving the ‘70s with UFO is my new book examining the Mick Bolton era of UFO, through to the end of the classic Michael Schenker years, namely the Strangers in the Night live album. To write the book, I’ve used as the core, my out-of-print UFO book from 2005, but basically doubled the early years coverage that was in that book.


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Lettin' Go: UFO in the '80s & '90s is the follow-up to Lights Out: UFO in the '70s. Together the story is told more complete than previously attempted by anybody, I suppose, save for my old all-decades book, Shoot Out the Lights. This one was particularly fun to do as the Tonka era is my favourite.


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Blockbuster!: The Sweet Story is the updated version of my Sweet book from 2021. It’s the detailed, very book-ish story of the band, but most pertinently a deep-dive analysis of every album, with no song untouched. Come see why interest in such records as Sweet Fanny Adams and Give Us a Wink has never waned, and come see why you should be snapping up a copy of the band’s Off the Record album from 1977 right now.


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Perfect Water: The Rebel Imaginos is the most disturbed and disturbing book I’ve ever done, and therefore my darling of all of them. It’s the 256-page (on premium cream stock) follow-up to hit title Flaming Telepaths: Imaginos Expanded and Specified, same number of illustrations, twice as conspiratorial and occulted and ten times weirder. Even my drawings are creepier.


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Uriah Heep: A Visual Biography is my weighty 1.65 kg, 8 ½” x 12” hardback coffee table book on Mick Box and his merry Hammond heavies. The chief mission is to showcase 600+ images over the course of 224 full colour pages, on sumptuous 100 lb. gloss paper. There’s also a 19,926-word band timeline that takes in all solo projects as well.


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Popoff Archive – 1: Doom Metal is my 232-page book of interviews with members of Tiamat, Penance, Cathedral, Down, Trouble, My Dying Bride, Cemetary, Type O Negative, September 22, Memento Mori, Amorphis, In Ruins, Orange Goblin, Candlemass, Crowbar, Spirit Caravan, Sentenced, Solace, Bronx Casket Co., Rapture, The Gathering, Poisonblack and Witchfinder General.


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Popoff Archive – 3: Hair Metal is my 260-page book of interviews with members of Ratt, Enuff Z’nuff, White Lion, Guns N’ Roses, Quiet Riot, Love/Hate, L.A. Guns, Girl, Def Leppard, Twisted Sister, Ratt, Lynch Mob, Skid Row, Dokken, Firehouse, Poison, Tesla, W.A.S.P. and Warrant.


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Led Zeppelin: All the Albums All the Songs is my very pretty 7 3/4” x 10” hard cover, full colour through, 250 page book in which I examine all 81 Led Zeppelin songs in detail to the tune of one to three pages. Tons of rare photography and memorabilia shots fill out the story, aided in that quest by revealing sidebars and complete discographical information.


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Kiss at 50 is my first Kiss book ever, a spiffy coffee table tome, hard cover, full colour throughout, celebrating the band’s 50-year anniversary by looking at 50 career milestones. It’s gorgeously designed by the esteemed Motorbooks team and includes much fresh archival photography to go along with my 50 mini-essays.


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Van Halen at 50 is my sparkly, gorgeously-crafted book of 50 Van Halen career highlights, augmented with crisp and often rare photography. It’s a hard-cover with yummy embossing and spot-varnishing and there’s a foldout timeline. Hardcover; 192 pages.


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David Bowie: Rock ‘n’ Roll Chameleon is my Bowie@75 book just without the slipcase and the extra paper goods and greatly reduced in price. It’s a very pretty, large-format hardcover book and full-colour throughout. There are 75 well-designed spreads in which I discuss 75 career highlights, including an analysis of every studio album.


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Judas Priest: Turbo ‘til Now is my 110,000-word follow up to Judas Priest: Decade of Domination, in which we rock ‘n’ rolled from Rocka Rolla up to Defenders of the Faith. Here we bring the story right up to date, beginning with 1986’s Turbo and culminating in the band’s triumphant, well-regarded Firepower.


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Pink Floyd and The Dark Side of the Moon 50 Years is my new coffee table book celebrating the 50th anniversary of The Dark Side of the Moon. It’s colour throughout, hardcover and comes housed in a die-cut slipcase featuring rainbow silver prism rays.


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Feed My Frankenstein: Alice Cooper, the Solo Years is my detailed and extensive time-line-and-quotes look at Alice Cooper from Welcome to My Nightmare through to Detroit Stories. It’s a 97,362-word monster, with lots of detail, fun facts and trivia. Call it a reference book, call it an oral history, let’s call for Alice to run for President!


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Easy Action: The Original Alice Cooper Band is my detailed and extensive time-line-and-quotes look at Alice Cooper from the birth of Vincent and the band in Phoenix through to Muscle of Love. It’s a 75,000-word treatise, with lots of detail, fun facts and trivia. Tons of history and great stories on the albums and tours.


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Honesty Is No Excuse: Thin Lizzy on Record is my 288-page deep-tissue massage dive of the Thin Lizzy studio album canon, conducted in Q&A format with an esteemed panel of super-fans. It’s part of the series that brought you similar song-by song celebrations of Robert Plant, Blue Öyster Cult and The Cure. Included are memorabilia shots, a full-colour eight-page photo section, and a pile of fresh conceptual approaches to interpreting and appreciating the band’s 12 albums.


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Entangled: Genesis on Record 1969 – 1976 is a deep dive into each of the first eight Genesis albums, from the poppy debut with strings through to the last one with Steve Hackett, Wind & Wuthering. We head down the rabbit hutch for fully 250 pages, and hopefully at the end of it, this intimidating bank of prog classics will become even still warmer in your heart.


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This is for the PAPERBACK version of Limelight: Rush in the ‘80s, my 318-page deep dive into Rush’s most popular albums and then most synth-y albums. Limelight is the second book of a trilogy. There are two eight-page colour sections, but mainly lotsa words, in fact, 114,000 of the little critters.


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This is for the PAPERBACK version of “runaway” hit Anthem: Rush in the ‘70s, my 354-page deep dive into Rush’s origins and their first batch of classic records. Anthem is the first book of a trilogy. There are two eight-page colour sections, but mainly lotsa words, in fact, 126,000 of the little critters.


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This is for the PAPERBACK version of Driven: Rush in the ‘90s and “In the End”, my mammoth 415-page deep dive into the wide expanse of years to close off the trilogy, everything from Roll the Bones through Clockwork Angels and the personal tragedies marbled throughout.


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Beer Drinkers and Hell Raisers: The Rise of Motörhead is my 260 page book, published by the very discerning ECW Press, about the classic early lineup of the band, featuring extensive interview footage with Lemmy, Phil Taylor and Fast Eddie Clarke. There’s an epilogue bringing the story up to date—most notably with the sad demise of both Phil and Lemmy—but for all intents and purposes, this is the take from the debut through Iron Fist.


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Wild Mood Swings: Disintegrating The Cure Album by Album is my new panel discussion book looking at every studio album by The Cure. Every song is discussed at length, with lots of analysis of lyrics, production, instrumentation, album cover art, personnel changes and assorted Cure dramas. Included are memorabilia shots and an eight-page colour section.


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Lively Arts: The Damned Deconstructed although it’s formatted as a black-and-white trade paperback, is the best book I’ve ever done from a writing standpoint. Okay, well, tied with The Clash: All the Albums All the Songs and Led Zeppelin: All the Albums All the Songs, because it’s just that: me analyzing every last damned Damned song. One of my very dearest favourite bands.


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